Lyn Noble has painted these views of BCA's Corbar Woods and written about the inspiration that he finds in the woods and painting them
Our woodlands are always beautiful, but in Spring they’re even more so. Low morning or evening light can still find its way through young leaves. Gaps in the canopy allow the floodlighting of sandy mounds and glades, enhanced by surrounding areas of deep shadow. Light against dark; dark against light, each tone brightened or darkened by the contrast with its surroundings.
A sort of metaphor for the times we live in?
I’m often accused of walking too fast but Corbar Wood always slows me down. Changes in foliage and light throughout the year keep revealing new vignettes, different angles. Back home I find that I find that I’ve already taken that latest photo, but it’s different. Back into the woods, again and again, a gestation period until the paintbox is fished out (again!).